Deborah Kerr

Deborah Jane Trimmer[1] CBE (30 September 1921  16 October 2007), known professionally as Deborah Kerr (/kɑːr/), was a British film, theatre, and television actress. She was nominated six times for the Academy Award for Best Actress, and holds the record for an actress most nominated in the lead actress category without winning.

Deborah Kerr

Kerr in 1973, by Allan Warren
Born
Deborah Jane Trimmer[1]

(1921-09-30)30 September 1921
Hillhead, Glasgow, Scotland
Died16 October 2007(2007-10-16) (aged 86)
Botesdale, Suffolk, England
Resting placeAlfold Cemetery, Alfold, near Guildford, Surrey, England
OccupationActress
Years active1937–1986
Known forThe King and I
From Here to Eternity
An Affair to Remember
Tea and Sympathy
Separate Tables
Black Narcissus
The Innocents
The Sundowners
Spouse(s)
Tony Bartley
(m. 1945; div. 1959)

Peter Viertel
(m. 1960)
Children2
RelativesLex Shrapnel (grandson)
Signature

During her international film career, Kerr won a Golden Globe Award for her performance as Anna Leonowens in the musical film The King and I (1956). Her other films include The Life and Death of Colonel Blimp (1943), Black Narcissus (1947), From Here to Eternity (1953), Tea and Sympathy (1956), An Affair to Remember (1957), Heaven Knows, Mr. Allison (1957), Separate Tables (1958), The Sundowners (1960), The Innocents (1961), The Grass is Greener (1960), and The Night of the Iguana (1964).

In 1994, having already received honorary awards from the Cannes Film Festival and BAFTA, Kerr received an Academy Honorary Award with a citation recognising her as "an artist of impeccable grace and beauty, a dedicated actress whose motion picture career has always stood for perfection, discipline and elegance".[2]

Early life

Deborah Jane Trimmer[1] was born on 30 September 1921 in Hillhead, Glasgow,[3] the only daughter of Kathleen Rose (née Smale) and Capt. Arthur Charles Kerr Trimmer, a World War I veteran and pilot who lost a leg at the Battle of the Somme and later became a naval architect and civil engineer. Trimmer and Smale married, both aged 28, on 21 August 1919 in Smale's hometown of Lydney, Gloucestershire.[4][5]

Young Deborah spent the first three years of her life in the west coast town of Helensburgh, where her parents lived with Deborah's grandparents in a house on West King Street. Kerr had a younger brother, Edmund ("Teddy"), who became a journalist. He died, aged 78, in a road rage incident in 2004.[6][7]

Kerr was educated at the independent Northumberland House School, Henleaze in Bristol, and at Rossholme School, Weston-super-Mare. Kerr originally trained as a ballet dancer, first appearing on stage at Sadler's Wells in 1938. After changing careers, she soon found success as an actress. Her first acting teacher was her aunt, Phyllis Smale, who worked at a drama school in Bristol run by Lally Cuthbert Hicks.[8][9] She adopted the name Deborah Kerr on becoming a film actress ("Kerr" was a family name going back to the maternal grandmother of her grandfather Arthur Kerr Trimmer).[10]

British career

Early theatre and film

Kerr's first stage appearance was at Weston-super-Mare in 1937, as "Harlequin" in the mime play Harlequin and Columbine. She then went to the Sadler's Wells ballet school and in 1938 made her début in the corps de ballet in Prometheus. After various walk-on parts in Shakespeare productions at the Open Air Theatre in Regent's Park, London, she joined the Oxford Playhouse repertory company in 1940, playing, inter alia, "Margaret" in Dear Brutus and "Patty Moss" in The Two Bouquets.[8]

Kerr's first film role was in the British production Contraband (US: Blackout, 1940), aged 18 or 19, but her scenes were cut. She had a strong support role in Major Barbara (1941) directed by Gabriel Pascal.

Film stardom

Kerr became known in Britain playing the lead role in the film of Love on the Dole (1941). Said critic James Agate of Love on the Dole, "is not within a mile of Wendy Hiller's in the theatre, but it is a charming piece of work by a very pretty and promising beginner, so pretty and so promising that there is the usual yapping about a new star".[8]

She was the female lead in Penn of Pennsylvania (1941) which was little seen; however Hatter's Castle (1942), in which she starred with Robert Newton and James Mason, was very successful. She played a Norwegian resistance fighter in The Day Will Dawn (1942). She was an immediate hit with the public: An American film trade paper reported in 1942 that she was the most popular British actress with Americans.[11]

Kerr played three women in Michael Powell and Emeric Pressburger's The Life and Death of Colonel Blimp (1943). During the filming, according to Powell's autobiography, Powell and she became lovers:[12] "I realised that Deborah was both the ideal and the flesh-and-blood woman whom I had been searching for".[12] Kerr made clear that her surname should be pronounced the same as "car". To avoid confusion over pronunciation, Louis B. Mayer of MGM billed her as "Kerr rhymes with Star!"[13]

Although the British Army refused to co-operate with the producers— and Winston Churchill thought the film would ruin wartime morale — Colonel Blimp confounded critics when it proved to be an artistic and commercial success.[12]

Powell hoped to reunite Kerr and lead actor Roger Livesey in his next film, A Canterbury Tale (1944), but her agent had sold her contract to MGM. According to Powell, his affair with Kerr ended when she made it clear to him that she would accept an offer to go to Hollywood if one were made.[12]

In 1943, aged 21, Kerr made her West End début as Ellie Dunn in a revival of Heartbreak House at the Cambridge Theatre, stealing attention from stalwarts such as Edith Evans and Isabel Jeans. "She has the rare gift", wrote critic Beverley Baxter, "of thinking her lines, not merely remembering them. The process of development from a romantic, silly girl to a hard, disillusioned woman in three hours was moving and convincing".[8]

Near the end of the Second World War, she also toured Holland, France, and Belgium for ENSA as Mrs Manningham in Gaslight (retitled Angel Street), and Britain (with Stewart Granger).

Alexander Korda cast her opposite Robert Donat in Perfect Strangers (1945). The film was a big hit in Britain. So too was the spy comedy drama I See a Dark Stranger (1946), in which she gave a breezy, amusing performance that dominated the action and overshadowed her co-star Trevor Howard. This film was a production of the team of Frank Launder and Sidney Gilliat.

Her role as a troubled nun in the Powell and Pressburger production of Black Narcissus (1947) brought her to the attention of Hollywood producers. The film was a hit in the US, as well as the UK, and Kerr won the New York Film Critics Award as Actress of the Year. British exhibitors voted her the eighth-most popular local star at the box-office in 1947.[14] She relocated to Hollywood and was under contract to MGM.

Hollywood

MGM

Kerr in Young Bess (1953)

Kerr's first film in Hollywood was a mature satire of the burgeoning advertising industry, The Hucksters (1947) with Clark Gable and Ava Gardner. She and Walter Pidgeon were cast in If Winter Comes (1947). She received the first of her Oscar nominations for Edward, My Son (1949), a drama set and filmed in England co-starring Spencer Tracy.

In Hollywood, Kerr's British accent and manner led to a succession of roles portraying refined, reserved, and "proper" English ladies. Kerr, nevertheless, used any opportunity to discard her cool exterior. She had the lead in a comedy Please Believe Me (1950).

Kerr appeared in two huge hits for MGM in a row. King Solomon's Mines (1950) was shot on location in Africa with Stewart Granger and Richard Carlson.[15] This was immediately followed by her appearance in the religious epic Quo Vadis (1951), shot at Cinecittà in Rome, in which she played the indomitable Lygia, a first-century Christian.

She then played Princess Flavia in a remake of The Prisoner of Zenda (1952) with Granger and Mason. In between Paramount borrowed her to appear in Thunder in the East (1951) with Alan Ladd.

In 1953, Kerr "showed her theatrical mettle" as Portia in Joseph Mankiewicz's Julius Caesar.[8] She made Young Bess (1953) with Granger and Jean Simmons, then appeared alongside Cary Grant in Dream Wife (1953), a flop comedy.

From Here to Eternity and Broadway

Kerr departed from typecasting with a performance that brought out her sensuality, as "Karen Holmes", the embittered military wife in Fred Zinnemann's From Here to Eternity (1953), for which she received an Oscar nomination for Best Actress. The American Film Institute acknowledged the iconic status of the scene from that film in which Burt Lancaster and she romped illicitly and passionately amidst crashing waves on a Hawaiian beach. The organisation ranked it 20th in its list of the 100 most romantic films of all time.[16]

Having established herself as a film actress in the meantime, she made her Broadway debut in 1953, appearing in Robert Anderson's Tea and Sympathy, for which she received a Tony Award nomination. Kerr performed the same role in Vincente Minnelli's film adaptation released in 1956; her stage partner John Kerr (no relation) also appeared. In 1955, Kerr won the Sarah Siddons Award for her performance in Chicago during a national tour of the play. After her Broadway début in 1953, she toured the United States with Tea and Sympathy.

Peak years of stardom

Kerr in An Affair to Remember (1957)
With Robert Mitchum in Heaven Knows, Mr. Allison (1957)

Thereafter, Kerr's career choices would make her known in Hollywood for her versatility as an actress.[1][13] She played the repressed wife in The End of the Affair (1955), shot in England with Van Johnson. She was a widow in love with William Holden in The Proud and Profane (1956), directed by George Seaton. Neither film was much of a hit. However Kerr then played Anna Leonowens in the film version of the Rodgers and Hammerstein musical The King and I (1956); with Yul Brynner in the lead, it was a huge hit. Marni Nixon dubbed Kerr's singing voice.

She played a nun in Heaven Knows, Mr. Allison (1957) opposite her long-time friend Robert Mitchum, directed by John Huston. It was very popular as was An Affair to Remember (1957) opposite Cary Grant.

Kerr starred in two films with David Niven: Bonjour Tristesse (1958), directed by Otto Preminger, and Separate Tables (1958), directed by Delbert Mann; the latter movie was particularly well received.

She made two films at MGM: The Journey (1959) reunited her with Brynner; Count Your Blessings (1959), was a comedy. Both flopped, as did Beloved Infidel (1959) with Gregory Peck.

1960s Films

Kerr in The Sundowners (1960)

Kerr was reunited with Mitchum in The Sundowners (1960) shot in Australia, then The Grass Is Greener (1960), co-starring Cary Grant. She appeared in Gary Cooper's last film The Naked Edge (1961) and was in The Innocents (1961) where she plays a governess tormented by apparitions.

Kerr made her British TV debut in "Three Roads to Rome" (1963). She was another governess in The Chalk Garden (1964) and worked with John Huston again in The Night of the Iguana (1964).

She joined Dean Martin and Frank Sinatra in a love triangle for a romantic comedy, Marriage on the Rocks (1965).

In 1965, the producers of Carry On Screaming! offered her a fee comparable to that paid to the rest of the cast combined, but she turned it down in favour of appearing in an aborted stage version of Flowers for Algernon. She replaced Kim Novak in Eye of the Devil (1966) with Niven, and was reteamed with Niven in the comedy Casino Royale (1967), achieving the distinction of being, at 45, the oldest "Bond Girl" in any James Bond film, until Monica Bellucci, at the age of 50, in Spectre (2015). Casino Royal was a hit as was another movie she made with Niven, Prudence and the Pill (1968).

Pressure of competition from younger, upcoming actresses made her agree to appear nude in John Frankenheimer's The Gypsy Moths (1969), the only nude scene in her career. She made The Arrangement (1969) with Elia Kazan, her director from the stage production of Tea and Sympathy.

Theatre

Concern about the parts being offered to her, as well as the increasing amount of nudity included in films, led her to abandon the medium at the end of the 1960s in favour of television and theatre work.[10]

Kerr returned to the London stage in many productions including the old-fashioned, The Day After the Fair (Lyric, 1972), a Peter Ustinov comedy, Overheard (Haymarket, 1981) and a revival of Emlyn Williams's The Corn is Green.[8] After her first London success in 1943, she toured England and Scotland in Heartbreak House.

In 1975, she returned to Broadway, creating the role of Nancy in Edward Albee's Pulitzer Prize-winning play Seascape.

In 1977, she came back to the West End, playing the title role in a production of George Bernard Shaw's Candida.

The theatre, despite her success in films, was always to remain Kerr's first love, even though going on stage filled her with trepidation:

I do it because it's exactly like dressing up for the grown ups. I don't mean to belittle acting but I'm like a child when I'm out there performing—shocking the grownups, enchanting them, making them laugh or cry. It's an unbelievable terror, a kind of masochistic madness. The older you get, the easier it should be but it isn't.[8]

Television

Kerr experienced a career resurgence on television in the early 1980s when she played the role of the nurse (played by Elsa Lanchester in the 1957 film of the same name) in Witness for the Prosecution, with Sir Ralph Richardson. She also did A Song at Twilight (1982).

She took on the role of the older Emma Harte, a tycoon, in the adaptation of Barbara Taylor Bradford's A Woman of Substance (1984). For this performance, Kerr was nominated for an Emmy Award.

Kerr rejoined old screen partner Mitchum in Reunion at Fairborough (1985). Other TV roles included The Assam Garden (1985), Ann and Debbie (1986) and Hold the Dream (1986), the latter a sequel to A Woman of Substance.

Personal life

Kerr's first marriage was to Squadron Leader Anthony Bartley RAF on 29 November 1945. They had two daughters, Melanie Jane (born 27 December 1947) and Francesca Ann (born 20 December 1951 and subsequently married to the actor John Shrapnel). The marriage was troubled, owing to Bartley's jealousy of his wife's fame and financial success,[10] and because her career often took her away from home. They divorced in 1959.

Her second marriage was to author Peter Viertel on 23 July 1960. In marrying Viertel, she became stepmother to Viertel's daughter, Christine Viertel. Although she long resided in Klosters, Switzerland and Marbella, Spain, Kerr moved back to Britain to be closer to her own children as her health began to deteriorate. Her husband, however, continued to live in Marbella.[17]

Stewart Granger claimed in his autobiography that she had approached him romantically in the back of his chauffeur-driven car at the time he was making Caesar and Cleopatra.[18] Although at the time he was married to Elspeth March, he states that he and Kerr went on to have an affair.[19] When asked about this revelation, Kerr's response was, "What a gallant man he is!"[20]

Death

Kerr died aged 86 on 16 October 2007 at Botesdale, a village in the county of Suffolk, England, from the effects of Parkinson's disease.[21][22][23] Fewer than three weeks later on 4 November, her husband Peter Viertel died of cancer.[24]

At the time of Viertel's death, director Michael Scheingraber was filming the documentary Peter Viertel: Between the Lines, which includes reminiscences concerning Kerr and the Academy Awards.[25] She is buried in Alfold Cemetery, Alfold, Surrey.

Work

Film

YearTitleRoleDirectorNotes
1940ContrabandCigarette GirlMichael Powellscenes deleted
1941Major BarbaraJenny HillGabriel Pascal
Love on the DoleSally HardcastleJohn Baxter
1942Penn of PennsylvaniaGulielma Maria SpringettLance Comfort
Hatter's CastleMary Brodie
The Day Will DawnKari AlstadHarold French
A Battle for a BottleLinda (voice)animated short
1943The Life and Death of Colonel BlimpEdith Hunter
Barbara Wynne
Johnny Cannon
Powell and Pressburger
1945Perfect StrangersCatherine WilsonAlexander Korda
1946I See a Dark StrangerBridie QuiltyFrank Launder
1947Black NarcissusSister ClodaghPowell and Pressburger
The HuckstersKay DorranceJack Conway
If Winter ComesNona TybarVictor Saville
1949Edward, My SonEvelyn BoultGeorge Cukor
1950Please Believe MeAlison KirbeNorman Taurog
King Solomon's MinesElizabeth CurtisCompton Bennett
Andrew Marton
1951Quo VadisLygiaMervyn LeRoy
1952Thunder in the EastJoan WilloughbyCharles Vidor
The Prisoner of ZendaPrincess FlaviaRichard Thorpe
1953Julius CaesarPortiaJoseph L. Mankiewicz
Young BessCatherine ParrGeorge Sidney
Dream WifeEffieSidney Sheldon
From Here to EternityKaren HolmesFred Zinnemann
1955The End of the AffairSarah MilesEdward Dmytryk
1956The Proud and ProfaneLee AshleyGeorge Seaton
The King and IAnna LeonowensWalter Langsinging dubbed by Marni Nixon
Tea and SympathyLaura ReynoldsVincent Minnelli
1957Heaven Knows, Mr. AllisonSister AngelaJohn Huston
An Affair to RememberTerry McKayLeo McCarey
1958Bonjour TristesseAnne LarsonOtto Preminger
Separate TablesSibyl Railton-BellDelbert Mann
1959The JourneyDiana AshmoreAnatole Litvak
Count Your BlessingsGrace AllinghamJean Negulesco
Beloved InfidelSheilah GrahamHenry King
1960The SundownersIda CarmodyFred Zinnemann
The Grass Is GreenerLady Hilary RhyallStanley Donen
1961The Naked EdgeMartha RadcliffeMichael Anderson
The InnocentsMiss GiddensJack Clayton
1964The Chalk GardenMiss MadrigalRonald Neame
The Night of the IguanaHannah JelkesJohn Huston
1965Marriage on the RocksValerie EdwardsJohn Donohue
1966Eye of the DevilCatherine de MontfauconJ. Lee Thompson
1967Casino RoyaleAgent Mimi/Lady FionaJohn Huston
Val Guest[26]
1968Prudence and the PillPrudence HardcastleFielder Cook
1969The Gypsy MothsElizabeth BrandonJohn Frankenheimer
The ArrangementFlorence AndersonElia Kazan
1985The Assam GardenHelen GrahamMary McMurray

Television

YearTitleRoleNotes
1963ITV Play of the WeekMoiraEpisode: Three Roads to Rome
1982BBC2 PlayhouseCarlotta GrayEpisode: A Song at Twilight
1982Witness for the ProsecutionNurse PlimsollTelevision movie
1984A Woman of SubstanceEmma HarteMiniseries
1985Reunion at FairboroughSally Wells GrantTelevision movie
1986Annie and DebbieAnnTelevision movie
1986Hold the DreamEmma HarteMiniseries

Theatre

YearTitleRoleVenue
1953Tea and SympathyLaura ReynoldsEthel Barrymore Theatre, Broadway
1973-74The Day After the FairEdithNational Tour
1975SeascapeNancyShubert Theatre, Broadway
1977 Long Day‘s Journey into Night Mary Tyrone Ahmanson Theatre, Los Angeles

Radio

YearProgramEpisode/Source
1944A Date with Nurse DugdaleBBC Home Service, 19 May 1944.
Guest star role in the penultimate episode.
1952Lux Radio TheatreKing Solomon's Mines[27]
1952Hallmark PlayhouseThe Pleasant Lea[28]
1952Hollywood Sound StageMichael and Mary[29]
1952SuspenseThe Colonel's Lady[30]
1952Hollywood Star PlayhouseCompanion Wanted[29]

Awards and nominations

Academy Awards

Year Category Work Result
1950Best ActressEdward, My SonNominated
1954From Here to EternityNominated
1957The King and INominated
1958Heaven Knows, Mr. AllisonNominated
1959Separate TablesNominated
1961The SundownersNominated
1994Honorary Oscar--Won

She is tied with Thelma Ritter and Amy Adams as the actresses with the second most nominations without winning, surpassed only by Glenn Close, who has been nominated eight times without winning.

British Academy Film Awards

Year Category Work Result
1956Best British ActressThe End of the AffairNominated
1958Tea and SympathyNominated
1962The SundownersNominated
1965The Chalk GardenNominated
1991Special Award--Won

Primetime Emmy Awards

Year Category Work Result
1985Outstanding Supporting Actress - Limited SeriesA Woman of SubstanceNominated

Golden Globe Awards

Year Category Work Result
1951Best Actress – Motion Picture DramaEdward, My SonNominated
1957Best Actress – Motion Picture Musical or ComedyThe King and IWon
1958Best Actress – Motion Picture DramaHeaven Knows, Mr. AllisonNominated
1959Best Actress – Motion Picture DramaSeparate TablesNominated
Henrietta Award (World Film Favorite)--Won

NYFCC Awards

Year Category Work Result
1946Best ActressThe Life and Death of Colonel Blimp, Love on the DoleNominated
1947Black Narcissus, I See a Dark StrangerWon
1956The King and I, Tea and SympathyNominated
1957Heaven Knows, Mr. AllisonWon
1960The SundownersWon

Honours

Kerr's star on the Hollywood Walk of Fame at 1709 Vine Street

Kerr was made a Commander of the Order of the British Empire (CBE) in 1998, but was unable to accept the honour in person because of ill health.[31] She was also honoured in Hollywood, where she received a star on the Hollywood Walk of Fame at 1709 Vine Street for her contributions to the motion picture industry.

Although nominated six times as Best Actress, Kerr never won a competitive Oscar. In 1994, Glenn Close presented Kerr with the Honorary Oscar for lifetime achievement with a citation recognising her as "an artist of impeccable grace and beauty, a dedicated actress whose motion picture career has always stood for perfection, discipline and elegance".[32]

Kerr won a Golden Globe Award for "Best Actress – Motion Picture Musical or Comedy" for The King and I in 1957 and a Henrietta Award for "World Film Favorite – Female". She was the first performer to win the New York Film Critics Circle Award for "Best Actress" three times (1947, 1957 and 1960).

Although she never won a BAFTA or Cannes Film Festival award in a competitive category, both organisations gave Kerr honorary awards: a Cannes Film Festival Tribute in 1984[33] and a BAFTA Special Award in 1991.[8]

In September and October 2010, Josephine Botting of the British Film Institute curated the "Deborah Kerr Season", which included around twenty of her feature films and an exhibition of posters, memorabilia and personal items loaned by her family.

References

  1. Leadbetter, Russell (20 January 2015). "The King and I actress Deborah Kerr is Glasgow's star - and there is a birth certificate to prove it". Glasgow Times. Retrieved 20 June 2020.
  2. "British actress Kerr dies at 86". BBC News. 18 October 2007. Retrieved 10 May 2010.
  3. "Deborah Kerr profile". The Herald. Glasgow. Archived from the original on 21 October 2007. Retrieved 19 October 2007.
  4. Goldman, Lawrence (7 March 2013). Oxford Dictionary of National Biography 2005-2008. Oxford: Oxford Univ Press. p. 642. ISBN 978-0199671540.
  5. "Deborah Kerr biography (1921–2007)". Filmreference.com. Retrieved 29 October 2007.
  6. "'Road rage' killer's appeal win". BBC News. 30 March 2006.
  7. "Killer's term cut". Worcester News. 5 April 2006. Archived from the original on 22 July 2009.
  8. "Obituaries: Deborah Kerr". The Daily Telegraph. London. 19 October 2007. Retrieved 20 June 2020.
  9. Sater, Richard; Pardi, Robert (2000). "Deborah Kerr". International Dictionary of Film and Filmmakers. Detroit: St. James Press. ISBN 978-1558624498. Archived from the original on 20 October 2007.
  10. Braun, Eric. Deborah Kerr. St. Martin's Press, 1978. ISBN 0-312-18895-1.
  11. "FILM NOTES". The West Australian. Perth: National Library of Australia. 7 December 1945. p. 13. Retrieved 9 July 2012.
  12. Powell, Michael (2000). A Life in Movies (reprint ed.). Faber. ISBN 978-0571204311.
  13. Martin, Douglas (19 October 2007). "Deborah Kerr, Actress Known for Genteel Grace and a Sexy Beach Kiss, Dies at 86". The New York Times. Retrieved 20 October 2007.
  14. 'Bing's Lucky Number: Pa Crosby Dons 4th B.O. Crown', The Washington Post 3 January 1948: p. 12.
  15. Thomas F Brady (23 July 1949). "Deborah Kerr Gets Metro Movie Lead". The New York Times. ProQuest 105803181.
  16. "AFI's 100 Years...100 Passions". American Film Institute. Retrieved 15 February 2019.
  17. "Actress Deborah Kerr Dies at 86". CBS News. 18 October 2007. Retrieved 20 June 2020.
  18. Granger, Stewart (1981). Sparks Fly Upward. Harper Collins. pp. 88–91. ISBN 978-0399126741.
  19. "Stewart Granger". Lenin Imports. Retrieved 19 November 2007.
  20. Vallance, Tom (17 August 1993). "Obituary: Stewart Granger". The Independent. London.
  21. Clark, Mike (18 October 2007). "Actress Deborah Kerr dies at age 86". USA Today.
  22. "From Here to Eternity actress Kerr dies." Archived 30 August 2008 at the Wayback Machine CNN. 18 October 2007
  23. "Actress Deborah Kerr has died". Detroit Free Press. Associated Press. 18 October 2007. Archived from the original on 20 October 2007. Retrieved 18 October 2007.
  24. "Peter Viertel, 86, Writer". Variety. 7 November 2007. Retrieved 20 June 2020.
  25. "Between The Lines A film by Michael Scheingraber". eeweems.com. Retrieved 10 May 2010.
  26. "Casino Royale is too much for one James Bond". 007 Magazine. No. 40. July 2017.
  27. Kirby, Walter (30 November 1952). "Better Radio Programs for the Week". The Decatur Daily Review. p. 48. Retrieved 14 June 2015 via Newspapers.com.
  28. Kirby, Walter (9 March 1952). "Better Radio Programs for the Week". The Decatur Daily Review. p. 42. Retrieved 23 May 2015 via Newspapers.com.
  29. Kirby, Walter (16 March 1952). "Better Radio Programs for the Week". The Decatur Daily Review. p. 44. Retrieved 23 May 2015 via Newspapers.com.
  30. Kirby, Walter (30 March 1952). "Better Radio Programs for the Week". The Decatur Daily Review. p. 46. Retrieved 18 May 2015 via Newspapers.com.
  31. Baxter, Brian (18 October 2007). "Deborah Kerr" (obituary). The Guardian. London. Retrieved 20 June 2020.
  32. White, Jim (2 February 2018). "Biggest Snubs in Academy Awards History". Observer. New York. Retrieved 30 March 2020.
  33. "Pierre Tchernia présentateur du palmares du festival de Cannes" [Pierre Tchernia, presenter of the Cannes Festival palmares] (in French). Festival International de Cannes. 23 May 1984. Retrieved 20 June 2020.

Bibliography

  • Braun, Eric. Deborah Kerr. St. Martin's Press, 1978. ISBN 0-312-18895-1.
  • Capua, Michelangelo. Deborah Kerr. A Biography. McFarland, 2010. ISBN 978-0-7864-5882-0.
  • Street, Sarah. Deborah Kerr. British Film Institute, 2018. ISBN 978-1844576753.
  • Powell, Michael. A Life in Movies. Heinemann, 1986. ISBN 0-434-59945-X.
  • Andrew, Penelope. "Deborah Kerr: An Actress in Search of an Author". Bright Lights Film Journal, May 2011, Issue #72. Deborah Kerr: An Actress in Search of an Author, (c) Penelope Andrew, 2011.

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