Just starting my reserach paper for my masters degree and i'm interested to hear from anyone who has ever mixed sound in ambisonics - whether it was using B-format recordings or placing tracks into the ambisonic surround field.
How easily did you find the practicalities of working with an extended surround field?
How easily was mixing upgraded from 5.1?
Were there any new factors you had to contend with compared to 5.1?
Have you ever used it with reference to a visual medium, if so, how well did you think it worked?
I'd also like to hear peoples thoughts about the advancement of film audio being reproduced in ambisonics - how successful would you think this would be? Is this something you may like to hear more about?
Also, if you are aware of any practicionars in ambisoncs (like sound artists for installations) i'd love to get some contact details for them.
Any input is very welcome!