24-bit 48kHz is the norm in film post-production here in LA, with new recordings and foley coming in at 96k or 192k. I'm recording at 96k most of the time and occasionally work with 192k samples when creating new sound design.
But what about 1-bit? Seems the recorders are coming down in price and becoming attainable. What's the best mic match for a 1-bit rig? How best to archive the recordings? And which workstations will let you work with such a file?
No one that I work with currently records at 1-bit, although I can imagine the incredible flexibility you could have with that resolution.