For woven textiles, grain refers to the orientation of the weft and warp threads. The three named grains are straight grain, cross grain, and the bias grain. In sewing, a pattern piece can be cut from fabric in any orientation, and the chosen grain or orientation will affect the way the fabric hangs and stretches and thus the fit of a garment. Generally speaking a piece is said to be cut on a particular grain when the longest part of the pattern or the main seams of the finished piece are aligned with that grain. Non-woven materials such as felt, interfacing or leather do not have a grain.
The straight grain is oriented parallel with the warp threads and the selvedge. The straight grain typically has less stretch than the crossgrain since the warp threads will be pulled tighter than the weft during weaving. Most garments are cut with the straight grain oriented top to bottom.
The cross grain runs perpendicular to the selvedge and parallel to the weft threads. The cross grain generally has more stretch than the straight grain since the weft threads are generally looser than the warp during weaving. Most garments (like pants or shirts) are cut on the straight grain with the cross grain parallel with the floor when the wearer is standing. This allows more stretch through the width of the garment, such as in a pants leg which needs more circumferential than vertical stretch. Garments are sometimes cut on the cross grain, generally because the pieces are too wide to fit on the straight grain.
The bias grain of a piece of woven fabric, usually referred to simply as "the bias", is at 45 degrees to its warp and weft threads. Every piece of woven fabric has two biases, perpendicular to each other. A garment made of woven fabric is said to be "cut on the bias" when the fabric's warp and weft threads are at 45 degrees to its major seam lines.
Woven fabric is more elastic as well as more fluid in the bias direction, compared to the straight and cross grains. This property facilitates garments and garment details that require extra elasticity, drapability or flexibility, such as bias-cut skirts and dresses, neckties, piping trims and decorations, bound seams, etc.
The "bias-cut" is a technique used by designers for cutting clothing to utilize the greater stretch in the bias or diagonal direction of the fabric, thereby causing it to accentuate body lines and curves and drape softly. For example, a full-skirted dress cut on the bias will hang more gracefully or a narrow dress will cling to the figure. Bias-cut garments were an important feature of the designs of Madeleine Vionnet in 1920s and 1930s and bias-cut styles are revived periodically. Before her time, bias cut was rare in women's clothing and decidedly outré in garments for men, to the extent that the specially-designed clothing of the dandy and celebrity chef Alexis Soyer were remarked on by George Augustus Sala, on his meeting Soyer in the Hungerford Market:
an extraordinary oddity was added to his appearance by the circumstance that every article of his attire, save, I suppose, his gloves and boots, was cut on what dressmakers call a "bias", or as he himself, when I came to know him well, used to designate as à la zoug-zoug.
In the Middle Ages, before the development of knitting, hose were cut on the bias in order to make them fit better. The old spelling was byas, or (less common) byess.
- Howard, Pamela. "For woven fabrics, it's important to go with the grain". Threads (Taunton Press) April/May 2005.
- Sala 1894, II, 240-241, quoted by Michael Garval "Romantic Gastronomies: Alexis Soyer and the Rise of the Celebrity Chef"