Animation in the United States during the silent era
Animated films in the United States date back to at least 1906 when Vitagraph released Humorous Phases of Funny Faces. Although early animations were rudimentary they rapidly became more sophisticated with such classics as Gertie the Dinosaur in 1914, Felix the Cat, and Koko the Clown.
Originally a novelty, some early animated silents depicted magic acts or were strongly influenced by the comic strip. Later, they were distributed along with newsreels. Early animation films, like their live-action silent cousins, would come with a musical score to be played by an organist or even an orchestra in larger theatres.
The art of animation can be traced back to prehistoric and ancient times when people drew multiple pictures on walls and clay pots to try and capture the illusion of life. This eventually led to the invention of the Zoetrope in 1834. However it was not until the advent of film did animation start to take off. There is no single creator of film animation, since many people were working on several similar projects around the same time.
Georges Méliès; creator of special effect in motion pictures, was one of the first people to use animation with his technique. Méliès discovered a technique when his camera accidentally broke down while shooting a bus driving by. When he had fixed the camera, a hearse happened to be passing by just as Méliès restarted rolling the film, his end result was that he had managed to make a bus transform into a hearse, which is a camera effect called a stop trick. He had discovered that by shooting one frame at a time and changing the image in between frames he could create the illusion of movement, thus stop-motion animation.
J. Stuart Blackton was possibly the first American film-maker to use techniques animation. Several of his films, among them The Enchanted Drawing (1900) and Humorous Phases of Funny Faces (1906) were film versions of Blackton's "lightning artist" routine, and utilized modified versions of Méliès' early stop-motion animation techniques to make a series of blackboard drawings appear to move and reshape themselves. 'Humorous Phases of Funny Faces' is regularly cited as the first true animated film, and Blackton is considered the first true animator.
Another French artist, Émile Cohl, created a film in 1908 called Fantasmagorie. The film largely consisted of a stick figure moving about and encountering all manner of morphing objects, such as a wine bottle that transforms into a flower. There were also sections of live action where the animator’s hands would enter the scene. The film was created by drawing each frame on paper and then shooting each frame onto negative film, which gave the picture a blackboard look. This makes Fantasmagorie the first animated film created using what came to be known as hand-drawn animation.
Following the successes of Blackton and Cohl, many other artists began experimenting with animation. One such artist was Winsor McCay, who created detailed animation with painstaking attention to detail. Each frame was drawn on paper; which invariably required backgrounds and characters to be redrawn and animated. Among McCay's most noted films are Little Nemo (1911), Gertie the Dinosaur (1914) and The Sinking of the Lusitania (1918).
The production of animated short films, typically referred to as "cartoons", became an industry of its own during the 1910s, and cartoon shorts were produced to be shown in movie theaters. The most successful early animation producer was John Randolph Bray, who, along with animator Earl Hurd, patented the cel animation process which dominated the animation industry for the rest of the decade.
The most popular cartoon series during the silent era was Pat Sullivan's Felix the Cat. Felix the Cat was first created in 1919 with Feline Follies and became hugely successful throughout the 1920s. However the studio came into trouble during the advent of sound cartoons in the early 1930s when the popularity of Walt Disney's Mickey Mouse was rising above Sullivan's Felix. Sullivan tried to adapt Felix by creating Felix sound cartoons, but they failed to please audiences and Sullivan closed the studio in 1930. He died three years later due to health problems related to alcoholism.
List of animated silents
- J. Stuart Blackton: Humorous Phases of Funny Faces (1906) claimed to be the first animated film in the US
- Winsor McCay: Little Nemo (1911), How a Mosquito Operates (1912), Gertie the Dinosaur (1914), The Sinking of the Lusitania (1918), various Dreams of the Rarebit Fiend, 1921
- John Randolph Bray who later claimed to have invented some of McCay's techniques
- Willis O'Brien: The Dinosaur and the Missing Link: A Prehistoric Tragedy (1915), The Lost World (1925) (stop-motion animation)
- Otto Messmer and the first cartoon superstar Felix the Cat (1919)
- Max Fleischer: Koko the Clown (1919) and the invention of the rotoscope
- Walter Lantz: Dinky Doodle (1924-1926)
- Paul Terry: Aesop's Film Fables (1921–1929)
- Van Beuren Studios which released Paul Terry's films before Terry set up his own studio in 1929
- Walt Disney's first cartoons: Laugh-o-Grams, Alice Comedies, and Oswald the Lucky Rabbit
- Other significant series: Heeza Liar, Mutt and Jeff, Krazy Kat, Bobby Bumps
- Other significant studios: Barré Studio, Bray Productions, Barré-Bowers Studio, International Film Service
- Significant distributors of animated films: Margaret J. Winkler, Charles Mintz, Educational Pictures, Red Seal Pictures, Bijou Films
- Also, Charles Bowers was a comedian and animator who made many bizarre films in the 1920s combining stop-motion animation and comedy. Many of them have been lost, but some have been recently released on DVD.
- Jeff Lenburg 1991 The Encyclopedia of Animated Cartoons ISBN 0-8160-2252-6
- Janis Johnson (January–February 2005). "Saving the silents". Humanities magazine. National Endowment for the Humanities. Retrieved 2008-03-17.
- Gordon, Ian (2002). "Felix the Cat". St. James Encyclopedia of Pop Culture. Retrieved 2009-06-24.
- Denis Gifford (1990). American Animated Films: The Silent Era, 1897-1929. Mcfarland & Co. ISBN 0-89950-460-4.
- Richard Fleischer (2005). Out of the Inkwell: Max Fleischer and the Animation Revolution. University Press of Kentucky. ISBN 0-8131-2355-0.
- Donald Crafton (1993). Before Mickey: The Animated Film 1898-1928. University of Chicago Press.